All of Hazbin Hotel Season 2 Songs, Ranked

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I recently watched the second season of Hazbin Hotel, and wow, it didn’t disappoint! It had the same clever humor and surprisingly emotional moments as the first, but the music was even better. This season’s soundtrack really expanded the world, giving us a deeper look into both Heaven and Hell, and especially into the motivations of the villain, Vox. Composers Sam Haft and Andrew Underberg created something incredible – a mix of big Broadway-style songs, energetic rock, and really touching ballads. Honestly, it’s almost impossible to pick a favorite song, especially since they packed twenty original tracks into just eight episodes. It was a real treat!

Prepare to dive into the intense world of the Pride Ring as we highlight the most memorable moments from Season 2 of Hazbin Hotel.

20) Live to Live

To figure out how to deal with the rebellion in Hell, Sera, a powerful angel, needs to understand things from a human perspective. That’s where Sir Pentious, a recently reformed sinner, comes in – he helps her see things differently and offers a message of hope, echoing the song “It Starts With Sorry.”

The way Miller and Brightman sing together is wonderfully harmonious, making this song particularly memorable. It’s a lovely and straightforward piece that allows Sera to experience vulnerability and fear – emotions previously unimaginable for an angel.

19) Love in a Bottle

“Love in a Bottle” is a playful, slightly giddy song reminiscent of Vegas show tunes. It shows Husk briefly slipping back into his former, self-destructive habits. The upbeat, swinging jazz music matches the song’s theme of Husk trying to forget his troubles with alcohol and gambling.

This standout solo features Keith David’s incredible voice, bringing a deeply emotional and soulful quality to the song. The performance is key to understanding Husk’s character, revealing more about the unhealthy ways he’s dealt with problems in the past.

18) Losin’ Streak

I recently saw Angel Dust perform this really interesting song called “Losin’ Streak.” It’s a slow, cabaret-style number she sings while doing drag at Husk’s bar and casino. What struck me was how unexpected it was – it turns out she’s a character who wears a lot of hats, and being a woman is just one of them.

The song’s lyrics immediately reminded Husk of a past moment with Angel, specifically their performance of “Loser, Baby” from Season 1. “Losin’ Streak” is a smooth and captivating song, and Blake Roman delivers it with a lot of style, really showing off his vocal talent.

17) Easy

After witnessing Charlie struggle with public criticism, Vaggie offers her a dose of honest advice in the song “Easy.” The song and its accompanying animation beautifully portray the complex emotions within Charlie and Vaggie’s relationship – a love story between a princess and a fallen angel.

This is a pivotal moment for Charlie, as she’s compelled to pause and truly hear some difficult, yet caring, truths from her girlfriend. The chemistry between them is beautifully portrayed through the voice acting of Stephanie Beatriz (as Vaggie) and Erika Henningson (as Charlie), highlighting their contrasting personalities.

16) Clean It Up!

“Clean It Up!” is a fast-paced, energetic song and Kimiko Glenn (as Niffty) delivers a fantastic performance. It’s Niffty’s first solo number, and it’s a hilarious highlight that showcases her dedication to cleanliness and incredible speed.

Glenn’s song is incredibly impressive technically, showcasing both speed and complexity. “Clean it Up!” is a fast-paced, intricate track that blends English and Japanese lyrics, and even gives the character Niffty a fun, energetic moment reminiscent of anime. The song perfectly captures Niffty’s chaotic personality, making the solo a standout performance.

15) Bad With Us

I found the latest episode, “Bad With Us,” really interesting because it explores a much more skeptical view of alliances and who you can actually trust. It focuses on Vox attempting to gain the support of the other Overlords now that he’s captured Alastor. What really stood out to me was how Vox tailored his musical performances to each Overlord, using genres that fit their personalities and histories – everything from country and techno to even opera! It was a clever way to try and win them over.

The episode “Bad With Us” kicks off the second half of the season by highlighting the power imbalance between the Overlords and demonstrating how skillfully Vox manipulates others. It’s a clear reminder that in Hell, alliances aren’t based on trust, but on who has the most power.

14) Piss (A Long Song)

Okay, so you might raise an eyebrow at the title, but trust me, “Piss (A Love Song)” is really moving. It’s all about Cherri and Pentious dealing with being separated after everything that happened in Season 1 – him stuck in Heaven, her in Hell. It starts off pretty simple, but it quickly grows into this huge, emotional power ballad about how much they both miss each other. It’s surprisingly cathartic, honestly!

The song’s length feels justified because it allows for varied musical parts and changes in energy, mirroring the complicated history between Cherri and Pentious. “Piss (A Love Song)” is almost like a short story set to music, and it makes listeners really want to see this unusual couple succeed.

13) Speedrun to Redemption

“Speedrun to Redemption” is a fast-moving and self-aware song that throws Charlie into a panicked situation. She frantically tries to prove the Hazbin Hotel can rehabilitate demons by immediately redeeming Angel Dust in front of Velvette and Vox.

The song has a catchy rhythm and incredibly energetic vibe. The lyrics are smart and full of quick, funny references, even joking about how hard it is to make things right. It’s a fast-paced track that really captures the artist’s hopeful but stressed-out feelings during a difficult public situation.

12) Like You

“Like You” shows us Pentious adjusting to life in Heaven, with Emily, Abel, and St. Peter helping him settle in. The story is energetic and moves quickly, just like Emily’s personality.

This number isn’t just a pleasant tune; it’s a reminder that things aren’t always better elsewhere. Pentious has everything he could want, but he misses having friends in Hell.

11) VOX DEI

“VOX DEI” powerfully demonstrates Vox’s controlling personality and inflated sense of self, making for a disturbing yet captivating performance. It’s a grand, unsettling echo of “VOX POPULI,” but slower, more resonant, and louder – designed to incite his followers and position him as a divine figure.

This song is incredibly intense and gripping, creating a powerful emotional experience. It’s brilliantly crafted and connects to Vox’s overarching plan throughout the season: his attempt to seize control of Heaven.

10) Hazbin Guarantee (Trust Us)

“Hazbin Guarantee (Trust Us)” feels like a wildly enthusiastic, over-the-top marketing campaign created by the team behind the Hotel and the Vees. It’s the season’s opening number, featuring powerful singing and a relentlessly upbeat, though slightly frantic, tune sung by Charlie as she tries to convince Baxter, the newest arrival, that redemption is possible.

The song is delightfully messy and unpredictable, featuring the band members playfully interrupting Charlie to jokingly warn “sinners” that a particular moment was dull. This mix of humor and excitement effectively introduces the central conflict and opposing forces that will drive the season’s storyline.

9) Don’t You Forget

“Don’t You Forget” features a major plot twist: Rosie is revealed to be the owner of Alastor’s soul. She firmly reminds him that he remains under her control and is bound by their agreement.

The brilliance of “Don’t You Forget” lies in Rosie consistently calling Alastor her “pet” throughout the song. This creates a recurring idea of him being part of her collection – something he strongly dislikes.

8) Sera’s Confession

“Sera’s Confession” is a beautifully sung and emotionally powerful piece, notable for its haunting, almost otherworldly sound. The song features stunning performances by Broadway stars Patina Miller and Liz Callaway, whose voices blend in a moving duet that perfectly conveys the burden of Sera’s remorse.

Unlike some of their other songs like “Gravity” or “Hell is Forever,” this track avoids strong drums or rock instrumentation, letting the vocals and orchestral arrangement take center stage. This creates a powerfully spiritual and movingly human experience, even with its fantastical setting. Ultimately, “Sera’s Confession” is a truly beautiful piece of music.

7) When I Think About The Future 

This song perfectly captures the season’s emotional core and serves as its musical high point. “When I Think About the Future” masterfully combines all the major themes and melodies from the entire season into one powerful and unified medley, bringing the story’s musical journey to a satisfying climax.

“When I Think About the Future” truly showcases Patrick Stump’s amazing singing alongside Jessica Vosk’s powerful performance as Lute, echoing themes from their earlier song, “Gravity.” The song is emotionally rich and builds anticipation perfectly for the show’s climactic finale.

6) Once We Get Up There

With a bold move, the show establishes Vox and his followers as the season’s villains. Vox is essentially a con artist, even deceiving his own allies by convincing them they can achieve godhood if they conquer Heaven through force.

Listening to the song, I immediately got a strong 1950s vibe, and it felt like a clever way to hint at Vox’s past – a backstory that’s eventually revealed later on. The song, “Once We Get Up There,” really swells as it goes on, culminating in this huge, layered harmony between the Vees when Valentino and Velvette finally agree with Vox’s plan.

5) Hear My Hope 

This song serves as a powerful conclusion to the season, bringing together all the musical and emotional themes that have developed throughout. Like “When I Think About the Future,” it’s a new composition built around familiar melodies, highlighting the characters’ journeys and growth.

One particularly impressive part is Abel’s solo, which beautifully shows his worry about stepping into his father’s position leading Heaven’s army, all while sounding like something Patrick Stump of Fall Out Boy might create, but with a unique Hazbin Hotel twist. The song “Hear My Hope” is a grand and powerful way to start and end the piece, leaving listeners both fulfilled and eager for more.

4) Don’t You Forget (Reprise)

This song powerfully builds on the emotional impact of Rosie and Alastor’s earlier duet, intensifying it as Vox and Alastor clash for control, despite Alastor being held captive. It also revisits the melody from “Once We Get Up There” and includes a reference to the rivalry between Alastor and Vox, echoing their duet “Stayed Gone” from Season 1.

This musical moment brilliantly builds tension. It’s the first time we see someone as strong as Alastor appear vulnerable, which makes Vox’s mocking even more impactful.

3) Brighter

“Brighter” is a particularly strong episode, focusing on Vox and revealing a disturbing backstory. It shows the key events of Vox’s past as Vincent Whittman, a television star who committed murders to achieve success, all presented with a dark and unsettling atmosphere.

The song shows that even after death, Vox remained driven by his overwhelming ambition to dominate the airwaves and become all-powerful. Its energetic sound and assertive lyrics highlight his constant need to outshine everyone, even the divine. It’s a great display of Christian Borle’s vocal talent and a crucial moment in revealing more about this important character.

2) Gravity 

“Gravity” is a powerful, guitar-driven solo that lets Jessica Vosk truly shine, demonstrating her impressive vocal range and strength. The song vividly portrays Lute’s emotional unraveling following Adam’s passing, capturing a sense of wild, unrestrained turmoil.

This song captures a raw, unrestrained explosion of anger, with lyrics reminiscent of biblical stories of wrath and revenge. It’s a pivotal scene for Lute, solidifying him as a frightening and incredibly powerful villain.

1) VOX POPULI

“VOX POPULI” is a truly stunning and impressive song, easily the best on the album. It starts with a surprising and powerful rock intro featuring Lucifer, as he attempts to intimidate Vox with threats of divine retribution, then seamlessly transitions into a traditional, show-stopping Broadway number performed by Vox.

The shift into the fast-talking, *Music Manlike style is brilliant, perfectly showcasing Vox’s arrogance and even embarrassing the King of Hell. “VOX POPULI” is undeniably the season’s most impressive and well-executed musical and dramatic moment.

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2025-11-23 02:43