The recently introduced “All-New Venom” comic series from Marvel Comics is proving to be quite captivating. An unexpected twist in the storyline, featuring Mary Jane Watson as Venom, has led fans on a thrilling journey. However, what truly sets “All-New Venom” apart is the complex dynamic between Mary Jane and Paul Rabin. Known for being one of Marvel’s most despised characters, Paul’s interactions with MJ have been skillfully crafted by writer Al Ewing to elicit a sense of dislike from readers, which has only added to the excitement.
In issue #9 of “All-New Venom,” the relationship between Paul and MJ undergoes a significant shift, marking a pivotal moment in the Spider-Man comics that was previously leaked over the weekend. But that’s not all this series offers; it’s also packed with high-octane action sequences, making it a must-read for any Marvel fan.
Before diving into the climactic part, let’s discuss the beginning of this intriguing book. The narrative unfolds in the symbiote prison of SCAR, where Venom encounters one of Spider-Man’s formidable adversaries – Doctor Octopus. The concept of Venom versus Doctor Octopus is thrilling, and Ewing skillfully executes it. Ewing brilliantly portrays Doctor Octopus as intelligent, resourceful, cunning, and dangerous, making their fight with Venom and Sleeper an enjoyable spectacle. This action-packed opening scene is a delight. As the battle progresses, Ewing escalates the tension, highlighting why Doctor Octopus is such an entertaining villain. There are several significant twists during this fight, as Agent Anti-Venom, who has been infiltrating SCAR on behalf of Sleeper, intervenes and makes a decision that could have far-reaching implications. The choreography of this fight is seamless, showcasing Ewing’s aptitude for storytelling in such scenarios. He knows how to construct an engaging fight scene, maintaining excitement throughout the encounter. Although the war against SCAR is not yet over, the symbiotes have claimed a crucial victory. Now, we move on to the long-awaited resolution – the end of Mary Jane and Paul’s relationship.
Marvel often employs provocative storytelling techniques, and the dynamic between MJ and Paul has consistently served this purpose. Many readers find Paul to be an unsympathetic character overall. The breakup scene is skillfully executed, albeit somewhat disrespectful towards MJ. Paul expresses remorse for his Jackpot power bracelet causing Mary Jane’s bond with Venom, aiming to repair their relationship issues. However, Mary Jane has chosen to end things, a decision I endorse despite finding it slightly disrespectful towards her character. Interestingly, she discusses her propensity to flee, another instance of the regressive tendencies in major Spider-Man characters, and describes her relationship with Paul as an escape, despite staying with him. This rationalization seems to continue the pattern of Marvel portraying MJ in a questionable manner.
Carlos Gomez’s artwork is stunningly beautiful. The initial battle scene in the book has an incredibly appealing aesthetic. There’s a seamless flow to the combat that makes it feel fantastic. Gomez’s portrayal of Doc Ock is among the best, boasting an exceptional design for the character. He brilliantly conveys Ock’s maniacal joy during battle, and manages to make the old green costume, which often seemed strange due to Ock’s body type, look spectacular. Gomez excels at illustrating symbiotes, capturing their liquid nature effectively, something that many artists struggle with. Despite the panels being somewhat crowded because of the intense fight scenes, Gomez skillfully keeps everything organized. His attention to detail is impressive, and his figure work is outstanding; nothing appears rough or unfinished, which can sometimes be a problem for other artists in similar situations.
In a skillful manner, Gomez delivers an impactful portrayal of the break-up scene. His character’s acting perfectly encapsulates the emotion of the moment, while Paul and MJ’s facial expressions and body language significantly enhance the scene’s authenticity. The page where MJ ultimately ends things with him is particularly impressive; the light filtering through the window seems to symbolize a divine blessing upon this poignant moment. Throughout this series, Gomez’s artistry has consistently improved, and this issue is no exception – demonstrating his ability to transform even the most challenging aspects of the script into something truly exceptional.
In issue #9 of the brand-new Venom series, it conclusively ends one of Marvel’s most detested romantic entanglements in a captivating manner. The initial confrontation ignites adrenaline, offering an engaging fight sequence that is visually stunning and sets the stage for the main storyline of the comic. Although the conclusion could have been better, it’s tough not to savor the moment when MJ decisively rejects Paul.
Rating: 4 out of 5
All-New Venom #9 is on sale now.
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2025-08-06 17:31