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In issue #3 of the “Superior Avengers,” penned by Steve Foxe and illustrated by Luca Maresca, Mattia Iacono, Kyle Hotz, Rachelle Rosenberg, and VC’s Cory Petit, the story unfolds in the chambers of Doctor Doom’s son, Kristoff Vernard. Kristoff has recently been involved in a romantic encounter with Killmonger, the leader of the “Superior Avengers.” Kristoff shares a complex past with Victor Von Doom, whom the “Superior Avengers” believe is responsible for damaging their future. Despite appearing to serve Doom, the “Superior Avengers” are covertly plotting to eliminate him, as they hold him accountable for ruining their world in the future.

It’s been announced that Reeves has submitted the script for “The Batman II” following years of work, and fans are eagerly anticipating its progression. However, since the initial film’s release, DC Studios have undergone significant changes, with scripts now carrying more weight than ever before. In an interview with ComicBook, James Gunn, DC Studios co-head and “Superman” director, disclosed that he hasn’t read the script yet but intends to do so once he boards a plane tomorrow, unless the flight journey proves too tiring first.

Under these circumstances, it was crucial for any upcoming Marvel Cinematic Universe production to deliver something exceptional. Regular trailers wouldn’t suffice in this novel universe. Fortunately, the highly anticipated film, Avengers: Age of Ultron, was about to debut, and its first teaser trailer is still regarded as one of the best Marvel trailers ever made.

Among the most intriguing groups in both Westeros and Essos is undeniably the Faceless Men. Fascination with them has been brewing for ages due to their captivating origins and abundant source material, making their storytelling possibilities evident. Remarkably, HBO has yet to fully explore this fascinating concept. These individuals originated in Old Valyria as a means of escape from death, eventually evolving into a clandestine religious order of assassins based in Braavos, dedicated to the god of many faces.

The Faceless Men are an enigmatic group that has sparked interest for ages due to their rich history and storytelling potential. Despite HBO not yet delving into them, they were originally slaves seeking escape from death in Old Valyria, transforming into a secret sect of assassins in Braavos who worship the god with many faces.

In the wake of the widely recognized “The Death of Superman” story, numerous characters started using similar titles like “The Death of [Character Name].” This approach, be it for a new plot or increased sales, has been overused and is no longer fresh. Here are six instances where we anticipated character deaths wouldn’t be permanent.

After the famous story “Superman’s Death,” other characters also got their own “Death” titles. This trick is used too often in stories or for selling more copies, but it has become repetitive. Here are six instances where we knew the character wouldn’t really die.

Instead of Batman attending therapy potentially altering his character significantly and transforming classic tales into a superhero adaptation of “The Sopranos,” there are crucial instances where seeking professional assistance would have greatly benefited the vigilante. Here are five occasions when Batman might have benefited from counseling, but instead opted to confront villains instead.