Two Nations Hang in the Balance in White House Robot Romance #3 Preview (Exclusive)

The second issue of White House Robot Romance left Service-1 and Chef-9 separated and under attack, and Service-1 received a dangerous new directive: to eliminate the president and their staff. This preview for issue #3 shows Service-1 poised to carry out that mission just as the Americans are preparing their counterattack. Issue #3’s final order date is Monday, November 17th.

1 Year On, Wicked’s Most Divisive Choice Is Even Smarter

With excitement building for the release of Wicked: For Good, the decision to split the story into two films now makes perfect sense. The year-long gap isn’t a pause in the narrative, but a deliberate choice to give audiences time to reflect on Elphaba’s actions and the long-term impact on the characters. Rather than a departure from the original story, it’s a way to emphasize the emotional weight and political themes that will unfold in Oz.

This Lord of the Rings Character Quietly Replaced Wormtongue (and It’s Not Who Fans Think)

When Gandalf arrived in Edoras, he cured Théoden by removing the influence of Saruman from his mind. Immediately after the king recovered, he banished Wormtongue from the Golden Hall of Meduseld, and would have killed him if Aragorn hadn’t intervened. Exposed as a traitor, Wormtongue fled back to Saruman in Isengard. Viewers might assume a certain character from Peter Jackson’s films took over Wormtongue’s role, given their similar looks, personality, and job. However, Jackson reveals that a surprising hero actually filled that position in The Lord of the Rings trilogy.

King Ivory Stars Reveal How Indie Action Differs From Studio Movies (Like Hiring Actors Off the Street)

Ben Foster, known for his roles in films like Hell or High Water and 3:10 to Yuma, enjoys making both big-budget studio films and smaller independent projects. He notes that independent filmmaking creates a strong sense of teamwork, where everyone supports each other. He explains that these films often require more preparation and a willingness to be creative, and praises writer/director John Swab for being well-prepared, collaborative, and focused on quality. Foster suggests that independent films allow for more spontaneity on set compared to larger productions where creative decisions might be more restricted, ultimately leading to a more authentic and unfiltered result.

Sony’s shock announcement: Horizon Steel Frontiers is a major MMORPG for mobile and PC, mystifying fans by officially skipping a PlayStation 5 release

Jan-Bart van Beek, studio director at Guerrilla Games, explains that they always envisioned the Horizon universe as something that could be explored through various experiences.

Sung-Gu Lee, executive producer at NCSOFT, describes the main idea behind Horizon Steel Frontiers as the excitement of battling massive machines.

The game allows players to create a unique hunter belonging to any of the established tribes – one player might be Tenakth, while another could be Oseram.

NCSOFT also released a gameplay trailer showcasing what a typical machine hunt might look like.

XRP Crash: Traders Shocked as ETF Hype Turns into Liquidation Festival

Apparently, the traders betting on a surge – those high-flying bulls – found their dreams dashed quicker than a glass of cheap whiskey at midnight. Data from Coinglass shows a mighty $9.09 million in long positions vanished in the last four hours-or as I like to call it, a “market magic trick” where your money disappears faster than a magician’s rabbit.

IT: Welcome To Derry Officially Makes HBO Max Viewership History After Just 3 Episodes

The first season of IT: Welcome to Derry has been a major hit for HBO Max. Deadline reports that its average viewership numbers—both in the U.S. and worldwide—rank among the top three best debuts for any new series on the platform. Episode 3 averaged 5 million viewers across all platforms in the U.S. within its first three days, and the premiere drew an impressive 5.7 million. Across the entire season, Welcome to Derry averaged 9.2 million U.S. viewers and almost 15 million viewers worldwide per episode.