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Among the most intriguing groups in both Westeros and Essos is undeniably the Faceless Men. Fascination with them has been brewing for ages due to their captivating origins and abundant source material, making their storytelling possibilities evident. Remarkably, HBO has yet to fully explore this fascinating concept. These individuals originated in Old Valyria as a means of escape from death, eventually evolving into a clandestine religious order of assassins based in Braavos, dedicated to the god of many faces.

The Faceless Men are an enigmatic group that has sparked interest for ages due to their rich history and storytelling potential. Despite HBO not yet delving into them, they were originally slaves seeking escape from death in Old Valyria, transforming into a secret sect of assassins in Braavos who worship the god with many faces.

In the wake of the widely recognized “The Death of Superman” story, numerous characters started using similar titles like “The Death of [Character Name].” This approach, be it for a new plot or increased sales, has been overused and is no longer fresh. Here are six instances where we anticipated character deaths wouldn’t be permanent.

After the famous story “Superman’s Death,” other characters also got their own “Death” titles. This trick is used too often in stories or for selling more copies, but it has become repetitive. Here are six instances where we knew the character wouldn’t really die.

Instead of Batman attending therapy potentially altering his character significantly and transforming classic tales into a superhero adaptation of “The Sopranos,” there are crucial instances where seeking professional assistance would have greatly benefited the vigilante. Here are five occasions when Batman might have benefited from counseling, but instead opted to confront villains instead.

In the film Man of Steel, Clark Kent, who’s also known as Superman, frequently clashes with his father, Jonathan Kent. Unlike Clark, who yearns to use his powers for good, Jonathan believes the world isn’t prepared for a figure like his son and seeks to protect him. Their ideological conflict reaches its peak in an emotionally charged scene within Man of Steel, a moment that remains one of the most debated scenes in comic book movie lore.

The top-tier sequels for superhero movies have been highlighted, taking into account that prequels were not necessarily disqualified but didn’t quite make the list. For instance, X-Men: First Class could be considered more as a launchpad for something new rather than a direct prequel to the initial X-Men trilogy. To qualify as a sequel under consideration, it had to directly follow from its predecessor; this is why Birds of Prey was taken into account due to some connections to Suicide Squad, but it was really the unique The Suicide Squad that made the cut (even though James Gunn’s film differed significantly from David Ayer’s 2016 box office disappointment).