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In May, Netflix released a comedy-drama titled “The Four Seasons,” which is a modern take on Alan Alda’s 1981 film of the same name. Beginning September 1st, both the movie and an eight-episode series became available on Netflix. The film features Alda alongside Carol Burnett, Len Cariou, Sandy Dennis, Rita Moreno, and Jack Weston. These actors portray three middle-aged couples who holiday together throughout the year, but their relationships are shaken up when one character divorces his wife for a younger woman, played by Bess Armstrong’s Ginny. As a result, the group must confront feelings of betrayal and learn to accept their new member amidst the criticism.

Cronos, as opposed to being primarily a horror-infused walking simulator, is essentially a third-person shooter reminiscent of Dead Space and Resident Evil 4. However, it leans more towards the former due to its armored protagonists. Contrasting earlier games where you had to be cautious in searching for currency and ammo, this game makes inventory management exciting and adds a layer of stress that was missing before. Directly rushing towards the goal without tactical depth can be monotonous and devoid of tension, and Cronos rectifies this issue by ensuring that the mechanics offer an immersive fear experience, something that Bloober struggled with in their previous works.

Despite potentially not offering much novelty, particularly in its gameplay aspect, it excels remarkably at what it presents. Being enthusiasts of games like Dead Space and The Evil Within, we found ourselves thoroughly captivated by its intriguing sci-fi enigma.

The captivating journey of an insect-like warrior in a realm scarred by an unidentified plague was irresistible to numerous gamers, myself among them. What drew me in immediately was the unique portrayal of a desolate landscape, and it seldom let go due to its appealing aesthetics and top-notch battle mechanics. In this ever-expanding universe filled with intrigue and activities, Hollow Knight was impossible to ignore.