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In the storyline of “Alien: Earth“, events are set in motion when the Weyland-Yutani spaceship, USCSS Maginot, collides catastrophically with a significant city on Earth. To investigate and recover any valuable tech from their competitor, Prodigy Corporation sends Wendy and her team to the crash site. Instead of corporate secrets, they discover something much more perilous: the Maginot was carrying diverse alien species, including the infamous facehuggers. This discovery leads to an outbreak of xenomorphs on Earth, which occurs exactly two years before the events portrayed in the initial “Alien” film. The precise timing of the series enables it to finally answer a long-standing question within the franchise that has remained a mystery for 46 years.

As a supporter, I’m thrilled to share that at the age of 98, I, Brooks, will be executive producing alongside my partner Kevin Salter. Joining us is an incredibly talented creative team, all alumni from the successful FX series “What We Do in the Shadows.” This show, which recently concluded a six-season run, follows four vampires living on Staten Island and was inspired by a previous film version that made waves as an indie darling when it debuted in 2014.

Taika Waititi, visionary director of both the “Shadows” movie and series, as well as the director of blockbuster “Thor: Ragnarok,” will direct the pilot for our new project, “Very Young Frankenstein.” Stefani Robinson, writer and executive producer of the “Shadows” series, will serve as writer and showrunner for our new production. Lastly, Michael Gruskoff, one of the producers on the original “What We Do in the Shadows” film, completes our trio of creators.

This exciting collaboration promises a fresh take on a classic tale!

Sweet Revenge,” a grisly short tale from horror director Mike P. Nelson (known for his work in Wrong Turn and V/H/S/85), is planned to debut on YouTube this summer as the focal point of the franchise’s daring 45th anniversary promotion.

This time around, it’s the moment for Death Stranding 2: On the Beach to receive some attention, as various Sony studios are expressing joy on behalf of XDEV and Kojima Productions.

This week, Cronin’s post on Instagram awakened horror fans from their slumber. While his followers have been kept informed about the movie through his periodic updates, which generally matched the studio announcements, the post resonated with a larger audience who were unaware or had forgotten that this project was in development. For those who discovered that filming had already wrapped up and the release was imminent, it came as a delightful surprise.

Sci-fi as a genre is often characterized by its willingness to venture into uncharted territories and delve into novel ideas. This often means that it finds itself at the forefront of technological advancements, anticipating or even shaping future trends. It also tackles intricate discussions on morality and philosophy, making us ponder deeply. One reason for its enduring popularity might be this knack of stimulating thought. However, it’s impossible to cover every sci-fi series out there, so we’ll highlight ten sci-fi shows that were ahead of their time instead.

The movie “The Battle at Lake Changjin,” which became the 2021 blockbuster in China, is now accessible on Prime Video in the U.S., though not widely recognized domestically. However, its impressive box office earnings demonstrate that it made a significant cultural impact regardless.