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Microsoft significantly disrupted the gaming landscape during the last generation by launching Xbox Game Pass, a service resembling Netflix but offering hundreds of video games at no additional cost. The selection constantly updates with fresh titles, while all Xbox’s exclusive first-party games, such as Call of Duty, become accessible to subscribers on their release date. This bold move has sparked curiosity about how both Xbox and game developers are generating profits from this venture.

Initially, Superman made his debut without battling cosmic entities like living black holes or rescuing planets from exploding stars. Instead, he focused on combating real-world injustices. In his very first tale, Superman intervened to clear a woman falsely accused of murder, delivering the true culprit – complete with a written confession – to the governor’s doorstep. He earned the title “Champion of the Oppressed,” championing the rights and security of marginalized individuals worldwide. Later, as he shaped the superhero genre, he took on more conventional adventures, such as confronting mad scientists and extraterrestrial pests.

In the game Assassin’s Creed 4, the pirate theme was extensively used to highlight sailing and ship battles, a feature that was previously presented in short spurts. This time around, it took center stage and significantly contributed to the game’s success. Interestingly, Ubisoft moved away from ship combat after this game, intending to spin it off into its own project, which eventually became the failed Skull and Bones. However, there have been whispers for a while now that Ubisoft is remaking Assassin’s Creed 4. Despite being fully functional on current consoles, these rumors are gaining more momentum.

In Episode 1134 of One Piece, we learn how Kuma transformed from a member of the Revolutionary Army into one of the Seven Warlords of the Sea. The story explains that this was another requirement set by St. Saturn for the manipulation and militarization of Kuma, who at that time was essentially just a pirate. Furthermore, it is disclosed in this episode that Kuma assumed the role of a Warlord who had been defeated by Ace, as dictated by St. Saturn.

Instead of focusing on recurring villains, what matters more is the “villainous aura.” As authors make antagonists more nuanced and multifaceted—often by adding a touch of sympathetic weakness to their wickedness—the classic, cool, ominous villain has become less appealing. Instead of feeling hatred towards the villain (a response all good villains can provoke), readers often find themselves supporting them or at least hoping they don’t suffer excessively. In fact, sometimes even the antagonists are more identifiable than Batman himself. Who wouldn’t empathize with Selina Kyle’s Catwoman, struggling to survive in a harsh world, rather than Batman’s privileged perspective on why criminals are wrong? Fortunately, there’s a remedy for Batman’s villain issue—and it’s not overly challenging to implement.