I understand the appeal of the unlikely romance between Bella and Edward, but after rewatching the series, it’s clear Bella quickly desires to become a vampire and be with Edward forever. I wish the movies had shown us more of Bella as a vampire, because we don’t get to see enough of that side of her. Let’s discuss this in more detail…
In a recent interview with *People Magazine*, Channing Tatum discussed the difficulties of balancing humor and plot in his films. He explained that it’s a constant process of deciding how to deliver lines – whether to play them for laughs with his Cajun accent, or to prioritize clarity for the story while still maintaining the accent. As Tatum put it, it’s ‘always an interesting negotiation’ to figure out what each line needs to achieve.
An EGOT is someone who has won an Emmy, Tony, Oscar, and Grammy award – the four biggest entertainment prizes. Reese Witherspoon has an Oscar and an Emmy, but still needs a Grammy and a Tony to complete the set. On *The Kelly Clarkson Show*, the host jokingly complained that Witherspoon didn’t receive a Grammy for her singing in the movie *Walk the Line*, and I completely agree with Clarkson’s strong feelings about it!
John Carpenter’s *Halloween* is a truly exceptional film, perfectly executed from beginning to end. Its pacing is masterful, and Michael Myers remains one of the most iconic horror villains of all time. Rob Zombie’s take on the story simply doesn’t measure up – it was always going to be difficult to compete with Carpenter’s masterpiece, especially considering its incredible score, cinematography, and Jamie Lee Curtis’s performance. That said, the 2007 *Halloween* does have its merits. I actually prefer Zombie’s remake to David Gordon Green’s recent trilogy, and I firmly believe it’s the director’s best work. While the story choices regarding Corey Cunningham are questionable, I think *Halloween* (2007) is stronger than *The Devil’s Rejects* and deserves a re-evaluation.
Read More 2025-10-19 04:42
Tracker has already had two successful seasons, and fans are eagerly awaiting the third, which premieres on October 19, 2025. The show has been a big hit for CBS and star Hartley, receiving excellent reviews and featuring popular actor Jensen Ackles (known from *Supernatural*). The new season will have 22 episodes, continuing to follow Colter as he finds missing people and uncovers surprising truths. Here’s a preview of what’s in store.
Although Tim Burton helped get the film made at Disney and it clearly reflects his signature style, it was actually stop-motion director Henry Selick who was responsible for bringing it to life. Selick, known for directing beloved animated films like *James and the Giant Peach*, *Coraline*, and *Wendell and Wild*, is a highly respected figure in the animation world. Unfortunately, many viewers still don’t realize he directed *Nightmare Before Christmas*. Some even mistakenly believe Burton directed Selick’s other movies! Given the film’s enduring popularity, it’s time more people recognized Selick’s crucial role – Burton’s vision wouldn’t have become a reality without him.
A girl’s drawings magically come to life after her sketchbook falls into a pond, causing playful pandemonium in her town. Now, her family needs to work together to contain the creatures she accidentally brought to life.
This might be one of my favorite films by Lanthimos, and I’d even say it’s among his best. I realize that’s a bold claim, but I especially appreciated how it felt a little more connected to reality than a lot of his other work. It was also surprisingly straightforward compared to some of his more puzzling movies, and I always enjoy a film with two equally awful main characters.
Fargo quickly became a critical and commercial hit, earning seven Academy Award nominations and two Oscars for Frances McDormand and the Coen brothers. Its impact was so significant that it was recognized by the American Film Institute as one of the greatest movies ever made and later added to the United States National Film Registry for its lasting influence on film and culture. Roger Ebert even ranked it as the fourth-best film of the 1990s – a decade known for incredible movies – placing it above Schindler’s List. For all these reasons, Fargo continues to be considered a timeless classic.