Downton Abbey: The Grand Finale cast and creator talk saying goodbye to beloved franchise – and the potential for spin-offs

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Fellowes excels at portraying the fascinating stories behind the creation of British and American wealth during the 19th and early 20th centuries. He has drawn from real-life events to craft an Academy Award-winning screenplay titled Gosford Park, a large-scale television series like The Gilded Age, and of course, the popular TV show and now movie trilogy, Downton Abbey.

According to him, Americans amassed considerable wealth swiftly rather than over extended periods. Instead of waiting for five generations to enjoy tea with someone, they opted to create a novel society. This society was a fusion of individuals from established affluent families and those who had accumulated their riches in just a matter of three months. Interestingly, it seems that Europeans retain a stronger connection to their past, while Americans are more focused on the future, constantly seeking the next major development.

In a Richmond office building repurposed for catering to the multitude of cast and crew filming the final episode of Downton Abbey titled ‘The Grand Finale‘, our initial dialogue takes place. The area is filled with people dressed in 1930s finery, seeming somewhat formal for a typical weekday in south-west London. However, Julian Fellowes remains unfazed amidst the bustle – it’s his domain, after all.

This world, indeed, splits into two clear parts. During our next Zoom meeting, I’ll inquire about his thoughts on the old social system: ‘I believe we’re living in an era that is quite black-and-white, where everything seems either right or wrong. However, every enduring system possesses both strengths and weaknesses, and eventually they become unsuitable for their respective eras.’

In the 1960s, when Fellowes was growing up, he often visited homes with domestic staff like maids and butlers. Even as a traditionalist, he recognized the decline of such lifestyles. There were elements of order and predictability in these households that contrasted sharply with the informal, fast-paced society that emerged later. However, it was not difficult for him to perceive that this era was nearing its end, that people no longer preferred living this way.

One constant aspect is Britain’s intricate, often puzzling attitude towards celebrities, wealth, and high status. This phenomenon, which appears to puzzle Fellowes, a man who has tasted success on both sides of the ocean, leaves him perplexed. “Britain seems to have this peculiar duality: it despises the wealthy and scorns success, yet at the same time craves it. I can’t understand it. It strikes me as ungracious not to appreciate those who have achieved great things.

Despite being brought up as the son of a diplomat and later joining the House of Lords in 2011 himself, he remains humble. He often thinks, “I wish them well,” when encountering successful individuals, even during his days of struggling as an actor, which isn’t the most stable of lifestyles.

Already quite accomplished with an Oscar and numerous acting roles under his belt, Julian Fellowes found himself in a position of great success when he started writing Downton Abbey in 2009. What made it special for him? “It marked my initial chance to build my own universe, to develop an extensive tale that could unfold and evolve. I was able to delve into the complexities of characters’ personalities in a way that writing individual shows or films does not allow.

Exploring characters in depth by providing various aspects is a unique experience that primarily occurs while crafting a series or building on previously performed roles. For instance, the development of a character like Thomas was particularly touching to watch unfold.

Thomas, portrayed by Rob James-Collier, started out as a gloomy and rather vindictive servant who unexpectedly experienced a rejuvenation in his life while working (and possibly finding acceptance) with a visiting actor, played by Dominic West. If there are any potential spin-offs featuring characters from Downton Abbey, could Thomas be among them?

Fellowes seems pleased as he suggests that there are compelling reasons to support many aspects. Thomas, being an intriguing character for two main points, stands out. Firstly, being gay in 1912 was challenging, but by the end in 1930, it was becoming less so, even though society still had a long way to go towards full acceptance. Secondly, Fellowes enjoys creating characters that evoke conflicting feelings from the audience, and he hopes this was the case with Thomas. Initially, viewers may perceive him as snide or malicious, but gradually they come to understand his difficult life circumstances, shifting their perspective on him.

Michelle Dockery

After 15 years of playing Lady Mary, do people expect her when they meet you?

It’s fascinating to observe that some people are taken aback by our unique individualities when they meet us. Mary is charming, yet she keeps a lot to herself. She is quite distinct from my personality, and it’s been delightful exploring her character.

During that period, Mary’s narrative has undeniably been the most captivating, transitioning from being a daughter, to a wife, a mother, a widow, and now as the matriarch and chatelaine. Can you share with us how her role has developed throughout this journey?

Over time, it seems as if we’ve shared a part of our lives with her. Reflecting on the initial episodes, it’s clear she’s transformed into someone else. Initially, she was assertive yet immature, reminiscent of an irritable teenager. However, life has put her through various trials, and in this movie, she encounters public humiliation. I believe that’s what makes the story compelling – witnessing the ups and downs of characters like her and how they navigate life’s challenges.

How quickly did you realise that Downton Abbey would change your life?

Upon obtaining the role, I was a vibrant 26-year-old, deeply immersed in theater, dipping my toes into television and film for the first time. I sensed the potential of the show, felt myself suited for it, and understood that this opportunity would significantly alter my professional path, yet I could not have foreseen its longevity or the magnitude it would attain.

There have been numerous period dramas, yet Downton Abbey stands out as exceptional. Can you explain what you believe contributes to its popularity?

In my opinion, it all begins with the writing. Julian crafted a realm populated by characters that resonated deeply with viewers. Ultimately, it offers a sense of familiarity and comfort.

From my perspective, the foundation lies in the writing. Julian constructed an engaging world filled with people that audiences easily connected with. In the long run, it provides a feeling of ease and comfort.

In the past, you’ve been a part of many scenes alongside the dearly departed Maggie Smith, portraying the Dowager Countess. Could you tell us some wisdom or insights she imparted to you during that time?

In every instance, I savored every moment, especially with someone as exceptional as Maggie. Working together felt like playing in the final match of a championship – it brought out the best in me. There was always a touch of apprehension leading up to our shared scenes, even though we were close friends and had collaborated for 15 years. I shall cherish those moments, the times when we played Bananagrams during breaks. She was incredibly talented at it, and her sweet nature made it even more enjoyable.

Brendan Coyle and Joanne Froggatt

Where do we find Mr and Mrs Bates this time?

Brendan Coyle’s statement suggests that they are currently experiencing a period filled with happiness, excitement, and anticipation in their lives. His question to Joanne seems to indicate that she might be pregnant based on her attire, as it appears she is preparing for a joyous event.

Joanne Froggatt herself confirmed the news! She’s expecting her second child, and since her pregnancy is quite noticeable now, Julian Fellowes thoughtfully incorporated it into our storyline. It provides a heartwarming conclusion for Anna and Bates, as they embark on their own happy future, something many fans have been rooting for.

When Anna and Mr. Bates initially met, their relationship blossomed into an extended, captivating romance that viewers seemed to appreciate. At first, it was covert and stealthy, even featuring a scene where Bates sneaked into the women’s off-limits quarters with tea! Now, the narrative has come full circle, concluding with the couple leaving together as a united family, ready to work cooperatively.

Is this film a fitting farewell for Downton Abbey?

It was delightful to return for another film, as Gareth Neame, our producer, had always envisioned a trilogy of movies to preserve the Downton legacy. Since the show concluded, we’ve all moved on, but the fantastic experience we shared kept us coming back. We’ve said goodbye numerous times – marking the series finale, the end of the first film, and the second film – but this truly is our final farewell. All good things eventually come to an end.

Were you anticipating in 2010 that the show would turn out to be this massive success, loved by fans worldwide and growing into a global franchise?

Talking of Maggie Smith, who gets the best lines in the absence of the cutting Countess?

It turns out that all of Julian’s standout lines in the script were actually delivered by Maggie. Not only did she say them, but Julian himself wrote them for her. Truly, Maggie is unparalleled, and while it’s impossible to replace her, there are definitely some other excellent lines in the mix.

Over the course of 15 years, it seems you’ve spent nearly every scene alongside each other. Have you grown so accustomed to one another that you move in harmony, much like two comfortable slippers fitting perfectly?

To put it simply, there’s no greater joy for me than collaborating with Jo. I believe we make a fantastic duo in acting, and our time together is consistently enjoyable and lively. Right from the start, we shared an intuitive grasp of how these characters complemented each other. All in all, it’s been a delightful experience.

If you hadn’t played Mr and Mrs Bates, which characters would you have liked to be?

JF There isn’t another character I’d prefer to play.

BC If asked, I’d say the Dowager Countess!

Harry Hadden-Paton and Laura Carmichael

How do we find your characters in this film?

HARRY HADDEN-PATON You won’t witness the struggles, leaking roofs, or necessary plumbing repairs in their cottage stables where Edith and Bertie reside. Instead, we find ourselves immersed in joy, as I myself feel no sorrow about this happy state. I believe that audiences deeply connect with the idea of contentment in mature relationships.

LAURA CARMICHAEL Edith seems to be relishing her influence. In the movie, we observe her basking in the confidence and cognizance that comes with being a magazine editor. Additionally, we get insights into her dynamic with her sister Mary [Michelle Dockery], particularly who’s offering support to whom.

Edith’s relationship with Mary has developed — was that mirrored in real life?

Michelle and I share a strong bond beyond the camera, allowing us to harness our genuine sibling dynamic. Since we each have two sisters off-set, we’re well-versed in that connection – although, thankfully, neither of us has experienced feuding relationships as portrayed in real life. We comprehend the familiarity, inside jokes, playful squabbles, and the ability to be at odds one day and close again the next.

Inquiring about familial connections, I must ask – Harry, your siblings are here on set, serving as extras. Have you found a clever way to get them involved?

In week ten of filming, I’ll wrap up my scenes on Saturday, marking this as my major final scene. Traditionally, productions tend to be quite accommodating when it comes to letting friends and family participate during significant events. For instance, in one of the episodes where my character married Lady Edith, I had my actual best man playing the role on screen. Moreover, during series six, we filmed a grand reunion scene at The Ritz, which was shot late at night. The entire dining room at The Ritz was filled with crew members wearing full makeup and costumes, posing as other diners. Surprisingly, the producer even played the role of the maître d’! So, there’s often a mix of reality and fiction during these extraordinary celebrations.

Laura, the story arc of Lady Edith has been quite a thrilling ride. Shall we bring up that time she was left at the altar, all the way back in season three?

The breakup was quite harsh, yet it sparked Julian Fellowes’ curiosity about exploring new avenues for a character no longer seeking marriage. Consequently, things became more engaging. Edith embarked on romantic liaisons and even ventured into journalism, which made me feel like I was on a separate outing from the main cast. It felt as though my character had its own spin-off within the show.

Could there be a spin-off show for Edith and Bertie?

Harry and I have playfully discussed it, but I’m not convinced. Downton Abbey isn’t focused on just one character; it wouldn’t be feasible to isolate any of them and solely focus on their storyline, as it would prove challenging.

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2025-09-02 03:16