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In my admiration for Studio Ghibli’s work, I can’t help but notice the recurring motif of conflict woven into their enchanting animations and captivating fantasy realms. Movies like “From Up on Poppy Hill,” “Grave of the Fireflies,” “The Wind Rises,” “Howl’s Moving Castle,” “Princess Mononoke,” and the latest “The Boy and the Heron” all carry poignant references or depictions of the Second World War and the Korean War. Yet, this theme is not merely an engaging narrative device with a profound message. Rather, Studio Ghibli’s preoccupation with war is deeply rooted in Hayao Miyazaki’s personal experiences during World War II.

Despite the reputation of Shonen Jump magazine for prematurely ending series, Takeru Hokazono’s Kagurabachi has not only persisted but flourished in Shueisha’s competitive environment. Debuting in September 2023, the manga surpassed a circulation of 1 million copies within its first year. It appears that this action shonen is slated to receive an anime adaptation from the creators behind another contemporary masterpiece.

The movie titled “Kraven the Hunter” is set to hit theaters later this month. While Kraven, played by Aaron Taylor-Johnson, is connected to Sony’s Spider-Man Universe (SSU), this film is also being marketed as a standalone production. This unique aspect of the film is something that director J.C. Chandor is keen on highlighting. He aims to create a realistic atmosphere within the comic book movie world, placing greater emphasis on compelling storytelling rather than expanding the universe. In an interview with ComicBook, Chandor discussed the challenges of maintaining a balance between building the larger SSU and pursuing his own gritty, R-rated vision for “Kraven”.