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Scopely, famous for creating Monopoly Go, is set to take over additional services and related apps run by Niantic, such as Campfire and Wayfarer.

For character Yumia, the outfit that’s typically worn by game protagonist Asbel in “Tales of Graces f Remastered” will be an option. While we don’t have an in-game preview yet, illustrator Benitama has shared some stylish artwork. Regarding her weapon, it’s expected to remain the same with this outfit change, but the pose may vary.

More information about upcoming features, collaborations, and enhancements for the survival sandbox creature collector will be unveiled once the update is live. Keep an eye out for additional friends (Pals), technological advancements, joint projects with other games, and exciting content in collaboration with Terraria. Additionally, expect further ways to boost and refine your Pals.

To provide a summary of Mallow’s career, he entered the voice acting industry in 1984 and established himself as a versatile talent, appearing not just in anime but also video games and live-action series. In the Power Rangers universe, Mallow voiced the character “Baboo,” who served as Rita Repulsa’s underling and provided comic relief for much of the series. This role saw Baboo bridging the gap between Western and Japanese versions of the show, with various actors contributing to the character over time. In the Digimon universe, Mallow gave life to characters such as Angemon, Nanimon, Vilemon, Gekomon, Togemon, and numerous others. Additionally, he has lent his voice to characters in video game franchises like Street Fighter’s Akuma, Samurai Warriors’ Ieyasu Tokugawa, Klonoa’s Joker, World of Warcraft’s Meathook, and many more.

In Chapter 1142 of One Piece, the Holy Knights make the Giant children’s worst nightmares come true, releasing terrifying creatures such as Jörmungandr, Fenrir, and Nika upon Elbaf. The most recent chapter features a breathtaking two-page spread showcasing these horrific beasts causing chaos on Elbaf, and nestled amongst them, partially concealed beneath a speech bubble to the left of the panel, appears a figure that looks remarkably like Big Mom. Interestingly, this portrayal of Big Mom bears a strong resemblance to Oda’s earlier, significantly inaccurate silhouette of Big Mom, which seems to be a playful nod to the ongoing joke about Oda’s silhouettes often being quite different from their final versions of the characters teased.