Opus โ€“ REVIEW

As a movie critic, I found myself invited to an intriguing gathering at Moretti’s secluded estate, surrounded by mysterious acolytes known as ‘levellists’. Among the guests were a paparazzi photographer, a podcaster, TV host (Juliette Lewis), an influencer, a magazine editor, and surprisingly, a talented cub reporter named Ariel Ecton (Ayo Edebiri). However, her boss insists on writing the feature, relegating her to the role of note-taker.

At first glance, it seems like an ordinary event for celebrities, but only Ariel senses that Moretti has transformed into a cult leader, making him and his new album release secondary to the real story unfolding. The guests are required to be shaved before listening to the first track of the album, foreshadowing the bizarre events to follow.

Former GQ Editor Mark Anthony Green (who also directs) appears in a brief yet impactful cameo with Bill Burr, offering his take on Moretti’s comeback. Unfortunately, this is one of the film’s few highlights as it misses an opportunity for an engaging exploration of celebrity events. Instead, it opts for quirky, episodic sequences that lead to a climactic scene, but never quite comes together cohesively.

In essence, the movie feels like a blend of ‘Blink Twice’, ‘Glass Onion’, and ‘The Menu’, but ultimately lacks originality and fails to leave a lasting impression. It’s disappointing because as someone who has attended such events, I was hoping for a fresh perspective on the world of celebrities, rather than a familiar rehashing.