PricPR

Supergirl’s death was meant to represent the end of an era for DC Comics, marking a shift from the Silver and Bronze Ages – that was the purpose of the Crisis event. However, her story didn’t truly end. In comic books, characters rarely stay gone. After Crisis, DC altered the history of Krypton, initially making Superman the only survivor. Later, readers were introduced to a new Supergirl from another world: Matrix. Created by Lex Luthor, Matrix was a shapeshifting being who took on the role of Supergirl on her own Earth. Eventually, she returned to the main Earth and continued as Supergirl, even falling in love with a younger version of Lex Luthor (a clone). This all led to what many consider the best version of the character: Linda Danvers, featured in the classic Supergirl series (Vol. 4) #1-80, written by the acclaimed Peter David.

When you watch it again, you begin to notice how key ideas are subtly introduced through recurring lines and images. You also realize each season cleverly reuses the same galactic setting in new ways. The truly great episodes create a sense of a vast, connected galaxy without making it feel limited, and that’s what keeps viewers engaged and returning for more.

In 2001, Marvel launched the MAX line as part of new editor-in-chief Joe Quesada’s effort to revitalize the company. A key part of this was improving the Spider-Man comics, and he selected writer J. Michael Straczynski for the job. Straczynski, known for creating the sci-fi series Babylon 5, had already made a splash in comics with 1999’s Rising Stars and had his own creative studio at Top Cow. He teamed up with artist Gary Frank for a new Marvel series, a fresh take on the relatively obscure 1984 maxiseries Squadron Supreme. The resulting series was one of the closest Marvel came to establishing itself as a publisher of mature, thought-provoking superhero stories.

The marketing for this movie is very different from how Marvel promoted Avengers: Doomsday. That film, which isn’t out until December, already had four teaser trailers shown in theaters for a week each, alongside Avatar: Fire & Ash, before being released online. This makes people wonder when we’ll see the trailer for Brand New Day, and if it will appear during the Super Bowl.

According to industry insider Nick Baker, who often reports on Xbox but also has sources at Nintendo, Nintendo Switch Online is planning to add games from three classic platforms: Wii, Nintendo DS, and Sega CD. Baker says the Wii games will likely be playable with a new Wii Remote that doesn’t need a sensor bar. DS games will probably use a separate screen attachment, while Sega CD games should work similarly to how other Sega consoles are currently supported on the service.

Villains sometimes suffer from underdeveloped backstories because the plot is already full of other details like reveals, flashbacks, and world-building. Other times, the story focuses on the consequences of a larger problem instead of the villain themselves, which makes sense thematically, but can make the villain feel less developed than other characters.

Older versions of Batman were often clumsy and faced realistic threats. Today, he’s incredibly resilient, surviving falls from extreme heights with no lasting damage. While characters often become more powerful over time in DC comics, sometimes they become too powerful, making stories less exciting. This leads to characters being weakened to create conflict. Here are seven DC characters who are significantly more powerful than they used to be.