In “The Legend of Ochi,” Willem Dafoe and his adopted teenage son embark on a quest to track down enigmatic primates, though Dafoe’s headstrong daughter doubts their true menace. This captivating, fantastical journey harks back to beloved children’s tales. Isaiah Saxon, the writer and director, showcases exceptional skill in this impressive debut, offering a thoroughly entertaining film. The stunning landscapes, witty dialogue, and clever script are matched by exceptional puppetry, animatronics, and CGI that bring the captivating Ochi to life. Despite their cute appearance, these creatures aren’t just cuddly pets; they serve as a poignant allegory for overcoming fears and combating misunderstandings.
The story unfolds in the early ’80s, on an isolated Black Sea island named Carpathia, nestled among towering mountains. In this modest setting, we meet Yuri (Helena Zengel), her father Maxim (Dafoe), and their companion Petro (Finn Wolfhard). They lead a humble life marked by hardship. A shared meal of potato soup brings warmth to their chilly home as they huddle around the radio. The villagers have entrusted Maxim with the mission of gathering all the young men for a hunting expedition, driven by his relentless pursuit to locate and eliminate an elusive creature known as the Ochi, hidden within the dense woods.
A Stunning Journey for All Ages
Yuri, much like other children, has never encountered an Ochi in real life. Yet, as Maxim equips them with weapons, he guides them on a perilous night expedition. Yuri shares Carpathian folk stories about the mischief of the Ochi, keeping the armed youngsters spellbound. These monstrous beings are infamous for their cruelty and lack of compassion, bringing nothing but trouble to their community. If they aren’t eradicated, tranquility on the island will remain a distant dream.
Yuri, who has a passion for ’80s death metal, finds herself uninterested in her father’s impassioned speeches. She’s been questioning everything he says from the start. There’s a mystery surrounding what happened to her mother (Emily Watson), why she abandoned her as an infant. The search intensifies as eerie, melodious howls echo through the forest. As the fierce hunters fire their weapons, Yuri notices something small and furry. Yuri spots a tiny, furry creature amidst the gunfire.
In an impressive display from the get-go, the story of Ochi skillfully captures your interest through stunning visuals by Saxon, a renowned animator from Encyclopedia Pictura. He masterfully establishes a breathtaking landscape using cinematography that sweeps over oceans, towering mountains, and deep valleys, emphasizing the challenging terrain. Moreover, Saxon strategically shoots his characters at inclined angles, giving the impression they’re always climbing hills or hiking. This immerses you in the Caucasus region, where pastoral farming villages and scattered sheep add to the picturesque scenery. The skill with which Saxon portrays the Ochi’s elusive nature becomes apparent.
The portrayal of the Ochi is skillfully executed. In the opening act, we only catch glimpses of them without knowing if they are Yuri’s fearsome creatures. However, this mystery deepens when the story unfolds as Yuri encounters an infant Ochi. Picture a cunning gremlin with a monkey-like physique, a blue visage, big eyes, and a flat nose. Saxon thoughtfully avoids bestowing the Ochi with magical abilities or supernatural lineage. Instead, they are intelligent and cautious creatures that can be formidable in their own right, not relying on any mystical powers.
Yuri’s New Friend
The intense dislike Maxim harbors towards the Ochi is the key factor fueling Yuri’s intrigue. Saxon portrays Yuri as a self-reliant girl who distrusts supernatural beliefs. She harbors resentment towards her father, and as the story unfolds, we learn the reasons behind her discontent. Maxim isn’t physically or emotionally abusive, but she questions his honesty regarding their circumstances. Petro, however, unquestioningly accepts Maxim’s teachings as absolute truth. He cherishes Yuri deeply, yet she perceives him similarly to her father. Yuri’s reactions towards them both are amusingly skeptical and sharply sarcastic.
Saxon’s design plays a crucial role in making the film feel authentic. The worn-out homes, vintage Soviet automobiles, and heavy clothing suggest a community isolated from contemporary life. It’s fascinating to watch how the characters engage with their surroundings. A notable scene showcases Yuri landing in hot water at a supermarket reminiscent of a Communist lifestyle publication. This setting effectively conveys the innate fear and suspicion these people hold towards their largely unseen neighbors. Saxon’s message is clear: prejudice against the unknown can lead to detrimental consequences. Characters like Yuri and Emily Watson, played by the talented Watson, introduced in Act 2, are exceptions who approach the Ochi with an open mind, shaping a unique perspective on them.
In the movie titled “The Legend of Ochi“, there’s a strong possibility it will win awards for its stunning visual effects. The puppetry is simply remarkable. A heartwarming scene between Yuri and baby Ochi will leave you grinning from ear to ear. Throughout her journey, Yuri learns empathy and awareness by treating the creature kindly and understanding its requirements. However, this isn’t always easy because wild animals require careful handling. Contrary to appearances, a cute lion cub can cause harm with carelessness, but that doesn’t make it aggressive or bloodthirsty. Instead, Saxon guides Yuri in learning empathy and mindfulness during her adventure with Ochi.
The Legend of Ochi is almost flawless, save for a minor complaint regarding the story’s pacing and the portrayal of distances. It seems to suffer from a similar issue as The Lord of the Rings, where characters seem to traverse vast landscapes only to magically arrive at their destinations without any clear indication of how they got there. This occurs frequently in a challenging environment that is supposed to be nearly impassable. Although I may have missed some crucial backstory, I must admit that I am completely puzzled about how Yuri manages to find anything.
The Tale of Ochi is a joint production by A24, AGBO, and Encyclopedia Pictura, among others. Originally scheduled to debut at the 2025 Sundance Film Festival on January 26th, its release has been postponed due to wildfires in Los Angeles. The new release date for nationwide distribution by A24 is now set for April 25th.
Or more casually:
The Story of Ochi, produced by A24 along with AGBO and Encyclopedia Pictura, was initially planned to premiere at the 2025 Sundance Film Festival on January 26th. However, due to wildfires in Los Angeles, its release has been delayed. The new release date for nationwide distribution by A24 is now April 25th.
Assist individuals impacted by California wildfires in 2025 by navigating to redcross.org, dialing 1-800-RED CROSS (or 1-800-733-2767) for a phone call, or sending the message “CAWILDFIRES” to 90999 to make a charitable contribution.
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2025-04-25 19:32