Hostage review: Suranne Jones thriller is fine binge-watch material, but quite forgettable

A star rating of 3 out of 5.

Working with Netflix marks a significant milestone for any TV star, and given Suranne Jones‘ outstanding performance in series like Doctor Foster, Gentleman Jack, and Vigil, Hostage has the potential to become an impressive Netflix debut for her – and it seems quite likely that it will.

In my opinion, this contemporary thriller checks all the necessary boxes of an engrossing, pulse-pounding series today. It’s compact and easily digestible with only five episodes, each ending on a riveting cliffhanger that keeps you guessing. The main hostage plot is engaging enough to hold your attention for nearly the entire duration, and it subtly addresses some current issues as well.

This drama caters to today’s shortened attention spans by providing a fast-paced, suspenseful narrative akin to a simplified roller coaster journey. It keeps viewers guessing right up until the final moments.

Or, more concisely:
The drama is designed for today’s quick-moving audiences with an exciting, unpredictable storyline that keeps you on edge till the end, similar to a kid-friendly roller coaster ride.

The twists could potentially surprise many, yet others might anticipate several – just as I did. Whether it’s due to the vast amount of dramas I have to watch as part of my work, or because the series tends not to make dramatic leaps, both possibilities hold truth.

The series “Hostage” is enjoyable enough, but it might not leave a lasting impression or spark deep conversations at work. It’s a show that’s ideal for a cozy, indoor weekend binge-watch, especially since it arrived on Netflix just before the Bank Holiday weekend, seeming to be designed to be devoured in one day or less.

The show revolves around Prime Minister Abigail Dalton, portrayed by Jones, as she persists in championing the interests of many while serving as the chief decison-maker and leader of the nation.

Though she appears consistently throughout the series, there is a lack of substantial information about her. Brief glimpses into her father’s relationship (with James Cosmo portraying him) suggest a complicated history, hinting that their journey towards a strong father-daughter bond was far from seamless.

Indeed, while it’s not the main subject, it’s worth noting that the series isn’t heavily centered around this aspect; rather, its primary focus lies in the abduction of Dr. Alex Anderson, portrayed by Ashley Thomas.

Once more, we encounter a profound and characteristic bond that might not be fully depicted in its romantic essence, but is subtly portrayed via flashbacks of them strolling through woodlands, hosting gatherings, and undeniably demonstrating a deep affection for each other. Their unwavering love for one another unfolds as Abigail grapples with an agonizing choice – whether to prioritize her spouse or her ambition as prime minister.

In the course of events, it turns out that Alex’s actual hostage predicament isn’t the sole instance dealt with in this series. Similarly, there’s a recurring motif where Abigail is metaphorically held captive within the UK government and 10 Downing Street, much like Julie Delpy’s French president Vivienne Toussaint.

Upon Toussaint’s arrival in the UK for a planned meeting, there is great interest in how these leaders will work towards strengthening and reestablishing their nations’ relationships.

In simpler terms, although their first encounter might be somewhat formal, the storyline progressively intertwines their lives and troubles as a single, looming source of conflict. A shocking video leak, a marriage filled with complications to a media magnate, landing in England only to face small demonstrations – all this seems to suggest a need for mutual support amidst personal crises, or in other words, forming a bond due to shared traumas.

Delpy skillfully develops her character with casual finesse, stirring curiosity in the audience about who she is while subtly hinting whether she may be an ally or adversary to Abigail. By the climax, we’re led to perceive their relationship as a peculiar mix of friendship and enmity, but the tentative portrayal of female camaraderie in this piece falls short of feeling authentic.

In my cinematic journey, Abigail remains somewhat of an enigma, despite being portrayed as more than just a politician – a mother, wife, and daughter. Yet, with limited screen time and emotional investment, I find myself grasping for her depth beyond the formidable political figure she presents.

In this rephrased version, the dialogue becomes:

The series features some intense emotional exchanges between Abigail and her daughter Sylvie (Isobel Akuwudike), as well as with her tight-knit group. What keeps viewers engaged is trying to uncover the broader plot at hand and understand precisely why Abigail and her family are under attack.

This version maintains the original’s meaning while making it more conversational and easier for readers to comprehend.

Absolutely, a series’ success often hinges on its main actor, and after viewing Hostage, one might ponder why actress Jones hasn’t been cast in a political leadership role before, given her convincing portrayal.

The movie “Hostage” is classified as a political thriller, yet it fails to offer meaningful insights about our current societal condition. Instead, it vaguely mentions unrest and healthcare systems (like the NHS), while never explicitly revealing which political camp Abigail aligns with.

In simpler terms, is it necessary for political dramas to address the same nationwide issues as part of their storyline, in addition to making creative decisions aimed at avoiding bias? This point isn’t directly addressed in this review, but it’s an essential question for screenwriters working in this genre.

The series “Hostage” is undeniably enjoyable – it offers engaging content, solid acting, contains unexpected moments, and caters wonderfully to marathon viewing. However, it may not leave a lasting impression once you’ve finished watching.

Don’t forget to add ‘Hostage’ to your list of shows to watch on TopMob’s app. Enjoy personalized daily TV suggestions, features, and more when you download it today.

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2025-08-21 09:37