Storm Santa!

As a seasoned observer of the entertainment industry, I find Richard Curtis to be a truly remarkable figure. His life journey, punctuated by both triumphs and tragedies, has been as captivating as any of his films.

Add That Christmas to your watchlist

As a movie critic, let me share my thoughts on the enchanting Netflix production titled “That Christmas“. Richard Curtis, renowned for his heartwarming storytelling, delicately avoids shattering anyone’s holiday dreams by stating that he remains uncertain about the existence of Santa Claus, even at 67 years old. Personally, after hearing Brian Cox bring this Dundonian Santa Claus to life with his gruff yet heartwarming Scottish voice, I find myself yearning to embrace the magic and believe in him wholeheartedly.

The movie is inspired by the writings of the author behind “Notting Hill” and “Love Actually,” collected in “That Christmas and Other Stories.” This story is largely based on Walberswick, a location near where Curtis resides with his wife Emma Freud, and it’s set in the imaginary Suffolk coastal town of Wellington-on-Sea. During the holiday season, various families, single parents, and occasionally troubled children are busy preparing for Christmas and a carol concert organized by Bill, the lighthouse keeper. However, an unusually heavy snowfall blankets the town, causing confusion even to Cox’s Santa in his sleigh.

According to Curtis, during their tea conversation in a London hotel, Cox spoke sporadically while basking in the brilliance of his moment on Succession. Alongside Cox were the voices of Lolly Adefope, Fiona Shaw, Jodie Whittaker, Guz Khan, and Bill Nighy, who portrays the lighthouse keeper. After his iconic 2003 role as the aging rocker Billy Mack in Love Actually, 75-year-old Nighy now serves as Curtis’s inspiration for his senior characters. “I was so delighted he agreed to it,” Curtis expressed, with genuine emotion. “Bill’s voice is one of the film’s delights.

A massive blizzard forces the cancellation of Bill’s holiday concert, and Christmas celebrations as a whole are put in jeopardy. The town is isolated, causing parents to be separated from their children. A movie initially intended as a traditional holiday animation starts delving into deeper issues about child psychology, even touching upon their physical well-being at one crucial moment.

As a writer, I appreciate that Christmas offers a unique angle,” explains Curtis. “If a child and his mother have recently gone through a divorce, when might their pain resurface? It could be when dad fails to show up during the holidays. If there are two sisters, twins, one mischievous and the other anxious, when will their conflicts escalate? When they discover whether Santa Claus will be delivering presents or not.

Curtis, who spent his childhood years alongside Freud, was sent off to school during the 1960s. He found Christmas especially valuable during those days, as he would return home and savor the wonderful two or three weeks of being back. “Going away to boarding school made Christmas feel so special because you came home,” he said.

It’s such a joy to make a film that doesn’t have Hugh Grant in it

This blend of light-hearted and somber elements in his work is a classic technique of Curtis, as he explains. “When we launched Comic Relief in 1985, people doubted our idea, saying ‘You can’t do comedic skits and then discuss serious issues like domestic violence,'” he recounts. “But I believe you can, because that’s the ebb and flow of life.” His personal life, marked by achievements in film and television from Blackadder to Notting Hill to Mr Bean, has also been touched by sadness. His sister Belinda passed away due to mental health issues in 2017. “I’ve experienced a lot of illness in my family,” he says, “but one moment you can be deeply aware of that, and the next, you could be enjoying time with friends. I think life is about understanding that it’s both challenging and enjoyable at the same time.

Curtis’s fictional portrayal of Suffolk isn’t exempt from global issues, as the snowstorm serves as a reminder of climate change, but it is also a setting where every individual, regardless of their social standing, finds acceptance eventually. Some may argue that his political views are overly sweet or his films too swift in glossing over topics like social class that create divisions among us. However, I’d say there’s significant and growing disparity and injustice in this nation, and there seems to be something about villages that helps diminish those differences in a positive and engaging manner.

These places more closely resemble past times, for as society shifts towards urban areas, distinctions between rich and poor become more apparent. Many aspects of life that are gradually fading across the UK remain intact here.

In a different phrasing, Curtis-land, frequently inhabited by romantically distressed aristocrats, might appear as a privileged setting; however, with its exceptional cast, That Christmas appears much more like the nation many of us reside in. I appreciate that this film is more diverse and it was rewarding to collaborate with the assorted acting ensemble in our country. It’s delightful to have Guz Khan and Lolly Adefope on board.

Is he inadvertently making the Suffolk coast more diverse by being cast in a variety of roles there? “I’ve been fortunate to work with many talented actors. However, my casting choices have always been unexpected since the beginning of my film career. When we made Four Weddings and a Funeral, I initially refused him, stating ‘Hugh Grant? Never in my films!’ I found him too polished and good-looking. But when he auditioned, he outshone everyone else, and I still resisted the decision. It wasn’t until our first screening that I realized my mistake; it turned out he was essential to the film. Now it’s delightful to work on a project without him, though he would have made an intriguing villain.” He chuckles before continuing, “But don’t get me wrong, he could still play a convincing antagonist.

In the movie “Last Christmas“, there isn’t a typical villain like you’d find in many stories. Instead, the unpredictable nature of the weather and its impact serve as the main challenges. Interestingly, even this seemingly negative element, as is often the case in Curtis films, ends up contributing to a positive outcome. Rest assured, no plot details are given here that could potentially spoil your Christmas viewing experience.

Besides enduring personal hardships, Curtis has spent four decades navigating the cutthroat realm of cinema and television. Still, one might wonder if he still believes that love is an effective solution for many issues? “Indeed, I do find love, friendship, and family to be intriguing topics,” he acknowledges. “I’m not claiming that ‘love is the answer,’ but I think we can all relate to the experiences of love, compassion, and kindness in our lives – and these are the aspects I appreciate.

Read More

2024-12-04 00:40