Games

As a supporter, I’m thrilled to share that at the age of 98, I, Brooks, will be executive producing alongside my partner Kevin Salter. Joining us is an incredibly talented creative team, all alumni from the successful FX series “What We Do in the Shadows.” This show, which recently concluded a six-season run, follows four vampires living on Staten Island and was inspired by a previous film version that made waves as an indie darling when it debuted in 2014.

Taika Waititi, visionary director of both the “Shadows” movie and series, as well as the director of blockbuster “Thor: Ragnarok,” will direct the pilot for our new project, “Very Young Frankenstein.” Stefani Robinson, writer and executive producer of the “Shadows” series, will serve as writer and showrunner for our new production. Lastly, Michael Gruskoff, one of the producers on the original “What We Do in the Shadows” film, completes our trio of creators.

This exciting collaboration promises a fresh take on a classic tale!

Sweet Revenge,” a grisly short tale from horror director Mike P. Nelson (known for his work in Wrong Turn and V/H/S/85), is planned to debut on YouTube this summer as the focal point of the franchise’s daring 45th anniversary promotion.

This time around, it’s the moment for Death Stranding 2: On the Beach to receive some attention, as various Sony studios are expressing joy on behalf of XDEV and Kojima Productions.

This week, Cronin’s post on Instagram awakened horror fans from their slumber. While his followers have been kept informed about the movie through his periodic updates, which generally matched the studio announcements, the post resonated with a larger audience who were unaware or had forgotten that this project was in development. For those who discovered that filming had already wrapped up and the release was imminent, it came as a delightful surprise.

Sci-fi as a genre is often characterized by its willingness to venture into uncharted territories and delve into novel ideas. This often means that it finds itself at the forefront of technological advancements, anticipating or even shaping future trends. It also tackles intricate discussions on morality and philosophy, making us ponder deeply. One reason for its enduring popularity might be this knack of stimulating thought. However, it’s impossible to cover every sci-fi series out there, so we’ll highlight ten sci-fi shows that were ahead of their time instead.

The movie “The Battle at Lake Changjin,” which became the 2021 blockbuster in China, is now accessible on Prime Video in the U.S., though not widely recognized domestically. However, its impressive box office earnings demonstrate that it made a significant cultural impact regardless.

To be more precise, adding PS Plus Premium to our subscription gives us some insight into which games the higher tiers might offer next month. Here’s a glimpse of what we can expect:

1. Game 1
2. Game 2
3. Game 3
4. …and so on.

Immediately after the initial reviews came out during the week, Kojima Productions’ newest release quickly soared among the top-rated games of the year. Critics are raving about the game’s innovative play mechanics, intricately puzzling storyline, and stellar character portrayals.

It appears that poor word-of-mouth has negatively affected its sales prospects, as Ampere Analysis (via The Game Business) reported approximately 250,000 players overall, with 150,000 on PS5 – an irony given that Sony had to offer refunds. However, only 35,000 players are reported on Steam, which is problematic because the developer’s strategy relies heavily on Build.MindsEye, a tool for user-generated content, which is exclusively available on PC.

Furthermore, Bruckheimer discussed the intensive training and driving abilities Brad Pitt and Damson Idris honed for the high-speed racing scenes in the movie. This included participating in actual Formula 1 races. According to Bruckheimer, “Sometimes we were driving in front of 140,000 people. They didn’t realize they were in the car.” This dedication to authentic Formula One realism necessitated the development of new driving skills for Pitt and Damson. The Formula 1 stunts shown in the movie demanded careful planning and preparation. However, director Joseph Kosinski, who has experience with such scenes from Top Gun: Maverick, seems to have applied this expertise to F1.