
The dramatic unveiling was overdue in this movie that moves at a snail’s pace, almost painfully so. Unfortunately, the background music is relentlessly whiny and never subsides. Directed and co-written by Christopher Norton with Elizabeth Norton, this marks their debut feature-length script. Coleman and Georgina deliver strong performances as mother and daughter, but McGrath’s portrayal of the detective feels like an outdated 70’s cop character in today’s world, where such behavior would have resulted in dismissal. The investigation itself lacks depth, with forensics playing a minimal role. However, the script’s skillful use of flashbacks and an unforeseen ending make it a worthwhile watch.