In the first issue of Image Comics’ “The Invisible Man,” writer James Tynion IV delivers his signature mix of creepy horror that’s easy for readers to follow. Unlike previous versions, this story explores Griffin’s past, revealing that he was inherently monstrous before gaining invisibility. Notably, the character portrayal by Tynion departs from the empathetic depiction found in the classic 1933 Universal Studios film adaptation of “The Invisible Man.” Contrasting with the original movie, which subtly suggests that Griffin’s insanity is a consequence of the invisibility potion he drank, this version presents a backstory for Griffin where he had a fiancée and concerned acquaintances before his transformation.
In contrast to what was previously suggested, Tynion portrays Griffin as inherently egotistical and mad, taking pleasure in cruel experiments on mice and harboring disdain for others. This portrayal of Griffin as utterly reprehensible is captivating, with Tynion’s narrative and DaNi’s artwork creating a haunting ambiance that keeps you hooked. As Griffin becomes increasingly despicable, readers find themselves compelled to delve deeper into his character – such is the allure of Tynion’s storytelling.
Image Comics’ The Invisible Man #1 Is Unsettling in the Best Way
The initial Invisible Man movie commenced mid-story, finding Griffin already trapped in an invisible state. This provided Tynion with an expansive canvas to delve into the events preceding Griffin’s disastrous experiment, as the opening issue of this four-issue miniseries explores how Griffin first uncovered invisibility by conducting experiments on mice. The art is notably striking, relying on dense shadows and muted colors to create an unsettling ambiance. Dani’s portrayal of invisibility in the comic is remarkably impressive, subtly illustrating an invisible mouse in a way that convinces the reader of its ethereal nature. The color scheme is kept minimal but used effectively, with blues mirroring Griffin’s icy demeanor while red accentuates his hot-headed temperament. The most impactful aspect of the art is a scene depicting Griffin fantasizing about murdering people while invisible, where Griffin is portrayed as completely white, symbolizing his sinister intentions in a chilling manner.
In simpler terms, Tynion’s portrayal of Griffin in his writing significantly amplifies the character’s arrogance from the movie. He depicts Griffin as having an inflated ego, disdaining others, and even viewing Flora, one of his only sympathetic traits in the film, as mere distraction. Tynion redefines Griffin as a narcissistic character without any redeeming qualities, yet manages to make him compelling. Despite making the character uncomfortable at times, Griffin remains an intriguing protagonist, and Dani’s illustrations drive the story forward.
The character of The Invisible Man, often considered one of Universal Monsters’ unusual figures, stands out due to his non-monstrous nature. He is as human as anyone else, and in the first issue of Image Comics’ “The Invisible Man,” writer Tynion exploits this to reflect humanity’s darker aspects. What makes Griffin truly terrifying is that he’s merely a man.
Rating: 4.5 out of 5
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2025-08-27 17:12