Jeremy Dyson shares “pure joy” of reuniting The League of Gentlemen stars for brand new project

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In Jeremy Dyson‘s office, there’s a photo on the wall which he’s currently looking at: “It depicts the four of us enjoying a log flume ride at Blackpool Pleasure Beach following our initial major tour. We’re all bursting with excitement in the image, mirroring the exhilarating adventure we shared together – an unforgettable rollercoaster ride that symbolizes the wonder of our journey.

After a span of 24 years, the quartet consisting of Dyson along with fellow comedians Reece Shearsmith, Steve Pemberton, and Mark Gatiss is coming together once again. This time, they’re working on a lighthearted radio drama comedy titled “High Cockalorum,” which was written by Dyson and inspired by his uncle’s close encounter with fame.

The story, which is set in 1978, is part of the BBC’s Contains Strong Language festival. It features a live performance and Q&A session at St George’s Hall, Bradford on September 20th. Dyson, the author, refers to it as a compact road trip tale about an ordinary young man from West Yorkshire and a famous Hollywood actor crossing paths.

In the real world, Dyson’s uncle was employed at a record label, occasionally managing actors working on soundtrack albums. This is how he once had the opportunity to spend time with James Mason, famous for his roles in films like A Star Is Born and Lolita. When Dyson shared this story with Mark, he jokingly replied, “If you write it, I’ll play it.” Approximately eighteen months later, they find themselves in this situation.

High Cockalorum also delves into the impact of fame on individuals, a topic that Dyson, with his unique perspective, has had ample exposure to. This stems from his and his League companions’ ascent to great heights after they clinched the coveted Perrier Comedy Award at the Edinburgh Fringe in 1997. While the others stepped into the limelight, Dyson chose a more behind-the-scenes role, offering him, according to him, “a mix of experiences”.

Reflecting on the renown of my colleagues, I find myself drawn to the challenges it presents rather than its perks. Constantly being approached and bothered can wear thin, and the benefits seem scant. I don’t yearn for what others may crave. Instead, I cherish the quiet, unassuming life that comes with anonymity.

In a sense, my feelings mirror Alan Bennett’s perspective on ‘the tinsel’ – the glitz and glamour associated with fame. It’s a love-hate relationship for me too.

I face numerous challenges – hypocrisy, manipulation. Attending events filled with renowned individuals is unusual, as common social signals often don’t apply. Instead, these gatherings are highly stratified by status, with one’s position in the hierarchy determining the level of attention received. To thrive in such an environment, one needs a tough exterior, something I lack. Yet, I’m captivated by it all, with the glamour still shining bright. It’s a complex mix of attraction and revulsion.

Through Gatiss, Dyson formed an alliance with Shearsmith and Pemberton, thereby giving birth to their creative troupe. Each individual contributed uniquely, but according to Dyson, they shared a similar spirit and dedication. In his words, “No one was aiming for Hollywood fame; we were simply passionate about creating quality work. It was all enjoyable, and if you look back now, it seems that’s the essence of any successful collaborative effort – the common bond that draws people together.

The pull has stayed potent over time, particularly when Good Omens two years ago was envisioned as a revival of The League, and now High Cockalorum. Dyson expresses newfound delight: “It’s pure joy! In the first couple of minutes, we all break into tears from laughing so hard, and it keeps up that way, in sheer hilarity from start to finish. That’s what it’s like, and whenever we get a chance, we seize it. As you grow older, you realize more and more how valuable these moments are.

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2025-09-09 09:04