Subtle, soul-searching dramas tackling Northern Ireland’s Troubles are proving that few escaped this era unscathed

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The series begins by pointing out a long history of conflict in Ireland. Therefore, it’s unsurprising that “Say Nothing” – a drama about the Troubles in Northern Ireland and the lasting impact of that conflict, including the silence many still maintain – has received both strong praise and criticism from various perspectives.

As a huge cinema fan, I was really drawn to this film, which is based on a fascinating true story detailed in Patrick Radden Keefe’s book. Maxine Peake gives an incredible performance as Dolours Price, a former paramilitary, and the film is powerfully told through her own recollections – much like the real Dolours Price shared her experiences with Boston College as part of their ‘Belfast Project’. We see her life unfold, starting as a peaceful protester and gradually becoming deeply involved in the IRA, ultimately leading to the shocking 1973 Old Bailey bombing. It’s a really compelling look at how someone’s path can change so dramatically.

Some of the group’s fundraising methods – like the sisters’ armed bank robbery disguised as nuns – are likely to offend those who’ve experienced similar crimes. The show doesn’t address the violent actions of loyalist groups, and portrays the Republican cause as purely driven by beliefs, ignoring the economic hardships faced by Catholics. Notably, Gerry Adams consistently denies involvement with the IRA, a denial that feels ironic given his compelling portrayal within the series.

Despite any flaws, “Say Nothing” powerfully illustrates the heavy price paid by individuals due to the historical period and their surroundings – simply living on a certain street or frequenting a specific pub could be seen as a political statement.

Another standout show is “Trespasses,” which, like many good dramas, is based on a popular novel and set during the conflict known as The Troubles. It’s easily the best TV I’ve watched all year. The series centers on a forbidden romance between Cushla, a Catholic teacher, and Michael, a married Protestant lawyer, skillfully blending their personal story with the wider political turmoil. The dangers they face are highlighted by the tragic fate of a Protestant-Catholic couple living nearby. After an argument, Michael asks Cushla if everything is okay. Her heartbreaking reply? “We’re doomed. Apart from that, we’re fine.”

Almost three decades after the 1998 Good Friday Agreement, many Northern Irish writers are now exploring the region’s history of conflict in their work, creating thoughtful and moving stories. Considering the Troubles began around 1968, it’s taken a surprisingly long time for these voices to emerge – and the question is, why?

These stories continue to resonate because everyone who lived through that time – a period marked by soldiers on the streets, constant helicopter noise, and a pervasive sense of danger – was deeply impacted. People in Northern Ireland, especially Belfast, were simply focused on surviving each day, leaving no space to create detailed accounts or explain the complicated political, cultural, and religious background needed to fully understand what happened.

As a movie fan, I’m always drawn to stories that feel both specific to a time and place, and universally human. This one introduces us to people – some based on real lives, others imagined – who are really put to the test. It’s fascinating to see how ordinary folks can be driven to do terrible things, but also surprise you with incredible acts of bravery and compassion. While the setting is firmly rooted in its era, the core of what makes these characters tick feels like something you could see in any time period.

Derry Girls perfectly captures the contrast between everyday life and the extraordinary circumstances of Northern Ireland in the 1990s. The show is hilarious – writer Lisa McGee consistently had viewers in stitches – but it also managed to deliver a deeply moving finale. A perfect example of this balance is when a bomb threat causes inconvenience, and Aunt Sarah laments the impact on ordinary people… only to reveal she’s upset about missing her tanning appointment. The series culminated in a powerful ending where characters from all generations voted in favor of the 1998 Good Friday Agreement, bringing a hopeful and emotional close to the story.

Both Say Nothing and Trespasses, like a third related book, end by showing scenes from the present day. It’s noteworthy that all three stories, despite focusing on the past, choose to finish with hopeful and positive conclusions.

You can watch Say Nothing on Channel 4 on Monday and Tuesday at 9pm. Trespasses is available to stream on Channel 4’s online platform.

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2025-11-25 13:05