
I always thought of The Handmaid’s Tale as June Osborne’s (Elisabeth Moss) story – her fight to get out from under the awful rule of Gilead. But as the show went on, it became so much more than just her story. We started hearing from other characters, and their struggles really took center stage too.
Aunt Lydia (Ann Dowd) was a particularly harsh figure, relentlessly punishing June and the Handmaids for even minor infractions. She enforced the strict rules of this patriarchal society, seemingly to maintain control, but also appeared to be mirroring the oppression she herself had experienced. Despite her cruelty, Lydia became a more compelling character as viewers began to see glimpses of vulnerability beneath her tough exterior.
Fans were excited for “The Testaments,” hoping to learn more about the character Lydia and see actress Ann Dowd potentially win another Emmy for her portrayal. However, after five episodes, Lydia hasn’t been featured much, appearing only briefly in a few scenes, mostly after she meets Agnes MacKenzie (Chase Infiniti) at the beginning of the series.
Introducing the new characters first was a good move, helping to build their stories. However, dedicated fans of the series have also been eager to find out what Lydia has been doing, particularly those who know her story from Margaret Atwood’s original novel.

The latest episode of The Testaments shifts focus entirely to Lydia, showing her story not only through what’s happening now, but also with flashbacks to her life before the Republic of Gilead. After five episodes of seeing things from both Agnes and Daisy’s perspectives, we finally get to experience the story through Lydia’s eyes.
That’s where we discover that the Commander’s Aunt Vidala and June had a past connection. Before Gilead took control, they were colleagues – both teachers at the same school. Gilead’s forces raided the school as part of the nationwide power grab, and that’s when their paths first crossed.
Similar to the unsettling depictions in The Handmaid’s Tale, these scenes offer a frightening look at a rapid shift in power and how it impacted women nationwide who unexpectedly lost their rights and possessions—with the notable exception of Lydia.
After seeing several women murdered – shot right there in the stadium where they were gathered – Lydia understood she needed to adapt if she wanted to live in this changed world.
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Lydia started offering advice to Commander Judd, hoping to gain his favor. These suggestions would later become key in establishing the structure of Gilead as it exists today.
Lydia questioned, “If we think men and women should have different roles in life, shouldn’t those roles actually be kept separate? And if they are, who will guide women in fulfilling those roles?”
Lydia not only created the Aunt system, but she also led its implementation. Later, it’s revealed she even selected the uncomfortable fabric for the Aunts’ uniforms, intentionally avoiding comfort to prevent the kind of spoiled behavior she’d seen in the past.
It’s hard to say how much of Lydia’s extreme behavior was simply a way to survive, and how much she actually believed in it. She even questioned her own motivations, wondering if she was triumphantly reborn or just stubbornly clinging to life, admitting, “I don’t know, but I was alive.”
Lydia’s faith in herself and Gilead wavered when she had to point a gun at one of the women tied up in the stadium, and realized with shock that it was someone she used to work with.
“Please,” begged Aunt Vidala. “I don’t want to die, Lydia. Don’t. Please.”
We expected her to live, considering she was still involved in the current events. However, we were surprised to see Lydia shoot at Vidala, only to immediately discover the gun wasn’t loaded.
Earlier in the episode, Lydia explained that making friends in Gilead is dangerous and only leads to hardship.
This is the character growth audiences have been hoping to see. These scenes not only deepen our understanding of Lydia’s complex morality, but also reveal how she gained power within Gilead and navigated a cruel, patriarchal system.
The timing of these flashbacks is ideal. Not only do they give the new actors a chance to stand out, but they also change how we understand a major plot twist revealed at the end of the episode.
Now, back in the present day of the story, I watched as Lydia and the other Aunts all raised their glasses. It was a toast – a celebration of all the effort they’d put into pairing each of their girls with a Commander. It felt like a really significant moment, recognizing how much work went into this whole system.
Once everyone else is gone, Lydia begins to reflect, remembering the vow she made to the girls following the tragedies at Jezebel’s and in Boston, events depicted in The Handmaid’s Tale.
Lydia remembers making a promise to record all that happened and everyone involved. She and the other women in her family were uniquely permitted to write, but she questioned what her writing was truly about – the failings of men and the actions of too many women.

It’s a stark difference compared to the flashbacks earlier in the episode, where we saw Lydia fully commit to this system. This wasn’t just a way to throw us off track before the upcoming reveal, but also a reminder that Lydia’s loyalty to Gilead wasn’t automatic – it took work and wasn’t as simple as it might seem.
It’s unclear exactly when things changed, but the last season of The Handmaid’s Tale suggested a possible shift, particularly in the relationship between Lydia and Janine (Madeline Brewer). Despite constantly mistreating Janine, Lydia developed a strong connection with her.
Ultimately, Lydia has consistently believed she was protecting the women under her care. She told herself this, at least, to ease her conscience.
Fans of the original book likely predicted this plot twist, but it doesn’t lessen its impact. Introducing it now, while the show was already revealing Lydia’s past mistakes, was a smart decision. It suggests the show will handle this major development well in the remaining episodes this season.
So does this all mean that redemption is at hand for Aunt Lydia?
While The Testaments doesn’t focus solely on Lydia’s life like The Handmaid’s Tale did on June’s, she finds a chance for redemption alongside Agnes and Daisy. This doesn’t erase her past mistakes, but allows her to work towards a more hopeful future.
The Testaments continues to air on Disney+ every Wednesday.
As a total film and TV buff, I just wanted to let you know about the TopMob app. It’s brilliant for getting daily recommendations, and I’ve added The Testaments to my watchlist there. You can download it now if you want to stay up-to-date with all things TV and film – it’s really useful!
Authors
David Opie is a freelance journalist who covers TV and film for various online publications like TopMob, Indiewire, and Empire. He’s a strong advocate for LGBTQ+ representation, often speaking on panels about it and working to promote queer stories. Beyond that, he loves comics, animation, and horror – and he’s particularly hoping to see a Buffy the Vampire Slayerthemed musical challenge on RuPaul’s Drag Race*. Before becoming a freelancer, David worked as a Deputy TV Editor at Digital Spy and holds a degree in Psychology.
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2026-04-29 11:37