*Warning: This article contains full spoilers for The Testaments episode 10, Secateurs.*
The first season of The Testaments concluded with a heartbreaking focus on Becka (Mattea Conforti) and the aftermath of her killing her father, Dr. Grove (Randal Edwards), who had sexually abused her.
Aunt Lydia and Aunt Vidala, desperate to save a student named Becka from either becoming a Handmaid or facing execution, devised a plan to avoid her punishment. However, this led to Becka’s mother confessing to the crime and ultimately being executed for it, a result Becka didn’t want.
Around the time of Mrs. Grove’s passing, Becka was quickly preparing to marry Garth (Brad Alexander), with Agnes (Chase Infiniti) subtly pushing them together.
Agnes received a sedative to help her cope with the day, and we then see her spending time with her close friend Becka before the ceremony. While helping Becka get ready, they share a kiss.
In an interview with TopMob, the show’s creator, Bruce Miller, described how they approached a particular scene. He explained that the actors involved are very talented and collaborative, which was important for such a sensitive moment. Recognizing the awkwardness of him, as a white male, directing two actors to kiss, they had a conversation about it beforehand to ensure everyone felt comfortable.
I really let the actors take the lead on the kiss, because it can convey so many different emotions. We discussed it generally, and they worked out the details themselves – things like who initiates, how they express affection, and their reactions afterward, including subtle differences in their smiles.
He added that he felt their work was outstanding and he only included it because it revealed important details about the two characters in a way he couldn’t have explained otherwise.
Agnes is really taking care of her friend, recognizing she needs this support and a strong connection. It feels like a true sisterhood. Becka isn’t viewing this as the start of a traditional relationship; she understands it’s a special and generous gesture, and they’re both open to seeing where things go.
Miller explained that the characters share a strong and positive friendship, a dynamic often seen in films. He found exploring this familiar trope within the unique setting of Gilead particularly compelling. The situation was complex, and the actors were deeply engaged in bringing it to life.
Because they’re isolated and going through something unique, it’s easy to feel like it’s just you and them, even if you’re getting a little too involved in their situation. You feel a sense of shared solitude.
Seeing their connection was really touching. It’s been great watching Chase and Mattea develop a friendship throughout the season, and I could feel them processing what was happening in that moment. I’m hoping their story doesn’t end with Chase overpowering Mattea, and instead shows a genuine connection between the two of them.
As Miller points out, the scene between the friends was deeply emotional and foreshadowed the pain to come later in the episode. The situation is complicated because Becka has feelings for Agnes, and Agnes is about to watch her best friend marry the man Becka loves.
It’s obvious Agnes cares deeply for Becka, but Miller points out that it’s common for young people to struggle with understanding the difference between friendship and romantic love.
I ultimately realized I was straight, even though I once had strong feelings for a boy. Looking back, I think those intense emotions were perfectly normal for someone my age, and the strength of those feelings makes sense considering how old I was.
As a movie fan, I’ve always been blown away by these two actresses – they’re incredibly talented. But beyond natural ability, they really put in the work, and it’s clear they push each other to be their best. Honestly, I was so proud of their performance and everything they achieved together.
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The Testaments is available to stream on Disney+ in the UK and Hulu in the US.
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Authors
David Opie is a freelance journalist who covers TV and film for various online publications like TopMob, Indiewire, and Empire. He’s a passionate advocate for LGBTQ+ representation, often speaking on panels and promoting queer stories. Beyond TV and film, he loves comics, animation, and horror—and dreams of seeing a Buffy the Vampire Slayerthemed musical challenge on RuPaul’s Drag Race*. Before his current work, David was a Deputy TV Editor at Digital Spy and holds a degree in Psychology.
Morgan Cormack writes about TV and streaming drama for TopMob. Before that, she was an Entertainment Writer at Stylist. She also has experience in content marketing and freelancing, and holds a BA degree in English Literature.
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2026-05-27 22:36