The Absolute Batman series is known for its fresh and surprising portrayals of classic Batman villains like Black Mask, the Joker, and Bane. The latest issue focuses on Scarecrow, and his take on the character is arguably the most impactful yet. What’s more, Scarecrow isn’t Batman’s only concern. Overall, Absolute Batman consistently delivers ambitious stories, and so far, it’s been a resounding success.
This issue, created by Scott Snyder, Nick Dragotta, Frank Martin, and Tom Napolitano, immediately establishes a dark and intense mood with Scarecrow’s first appearance – it’s exactly as frightening as you’d expect. While Scarecrow is a major presence, the story really focuses on Bruce’s changing point of view, which longtime readers will appreciate. The issue expertly mixes moments of optimism with despair, and Bruce’s growing inner struggles make his story even more captivating.
Rating: 4.5
| PROS | CONS |
| Scarecrow Makes A Major Impression (And Is Intensely Creepy) | Not Entirely Sold on The Robins, But I Trust The Creative Team To Make It Work |
| Absolute Batman Continues To Be One of DC’s Best-Looking Books | |
| The Series Is Still A Bruce Wayne Story At Its Heart, and That’s What Grounds Everything Else |
Absolute Batman’s Version of Scarecrow Is Even More Unsettling Than He Is Terrifying
A highlight of this issue is the first appearance of Scarecrow in the Absolute Universe. Though his design isn’t as over-the-top as some other villains, he’s deeply disturbing, particularly watching him psychologically torment people before they meet tragic ends.
Like all issues of Absolute Batman, #19 subtly introduces elements that become important later in the story – and it does so masterfully. The way Scarecrow acts hints at a genuinely surprising event that unfolds near the issue’s conclusion.
I don’t want to give anything away, but the event is incredibly shocking, and the following pages brilliantly clarify everything that happened. The artwork in that three-panel sequence is particularly impressive – Dragotta and Martin truly excelled. However, the opening splash page is also breathtaking, making it hard to say which one is better.
This Is Still A Bruce Wayne Story At Its Heart
Beyond the first appearance of the Scarecrow, Gotham City is full of exciting chaos, and Batman’s new vehicle is incredibly impressive. I especially appreciate how Alfred and Harley Quinn have been integrated into the story, as their presence offers a great contrast to Bruce Wayne’s evolving perspective – and ultimately, it’s still his journey that drives the series.
Following the painful experiences with his friends and their resulting distance from him, Bruce Wayne has isolated himself, only maintaining a life as Batman. This makes his reconnection with Waylon Jones particularly impactful. In just a few pages, the writer delivers a wave of emotions, and although the scene doesn’t offer a completely happy ending, it perfectly captures Bruce’s internal struggle and doubts about the way he lives his life.
The hug offers Bruce and Waylon a brief moment of hope, but it soon becomes clear that Bruce remains determined to isolate himself. Despite their shared history and the support Waylon offered during Bruce’s darkest times, Bruce won’t change course. This is understandable, given the recent trauma – those he considered family nearly died, and even though they survived, they’re forever changed, both physically and emotionally, leaving Bruce burdened with guilt.
The ending is still a bit unclear regarding the Robins and Slade Wilson, but so far, the story is looking good. I’m not completely sold on the idea of multiple Robins, but the creative team behind Absolute Batman has consistently delivered strong character updates, and I’m confident this storyline will be another success.
- Published By: DC Comics
- Written By: Scott Snyder
- Art By: Nick Dragotta
- Colors By: Frank Martin
- Lettering By: Tom Napolitano
Absolute Batman #19 is in comic stores now.
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2026-04-16 02:12