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As a true crime enthusiast, I have to say Netflix’s Trust Me immediately grabbed my attention. It quickly shot to the top of the charts and, impressively, boasts a perfect 100% score on Rotten Tomatoes. But this isn’t just another captivating true crime story; it’s genuinely essential viewing. What sets Trust Me apart is that it doesn’t just recount events—it lays bare how manipulation works, step-by-step, and just how incredibly difficult it is to escape its grip. It’s less a story and more a stark warning.

In March 2026, the team behind Sullivan’s Crossing announced that actor Patterson wouldn’t be back for season four as Harry Sullivan. The storyline explained that his character had moved to Ireland with Helen Culver (Kate Vernon), leaving the possibility of a future return. However, Patterson later revealed he left the show due to disagreements about the creative direction, suggesting he didn’t plan to reprise his role.

Sylvester Stallone’s work on Tulsa King was his first leading role in a scripted television series, and it helped Taylor Sheridan, the creator of Yellowstone, further build his popular brand. In 2025, another series connected to Sheridan’s universe was announced, this time starring Samuel L. Jackson as a criminal navigating an unfamiliar world, much like Stallone’s character Dwight Manfredi.

It’s important to understand that many countries don’t outright ‘ban’ films, but rather make it illegal to show them in public. While the United States stopped formally banning movies when the MPAA rating system was created (though that system has its own issues), the idea of keeping films from audiences seems strange to many North Americans. However, other countries don’t necessarily view art the same way, and some films have been prohibited for surprisingly trivial reasons.

A decade later, Neil Druckmann adapted his own game for television and did it all over again. By 2023, the post-Walking Dead zombie craze was well and truly over, and The Walking Dead itself had been reduced to an endless slog of little-seen spinoffs. In the midst of this barren wasteland, Druckmann teamed up with Chernobyl’s Craig Mazin to adapt The Last of Us for television and, with the exact same story he’d told a decade ago, he revitalized the zombie genre once again.